Last Tango In Paris

Must-See Cinema! Bertolucci and Brando at the height of their powers!

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Poster for Italian release of Last Tango In Paris in 1972Exploitation films of the 1960s and early ’70s had been supplying mechanized sex – sex as physical stimulant but without passion or emotional violence. Then, in this film, Bernardo Bertolucci used sex to express the characters’ drives. Marlon Brando, as the ageing American, Paul, is working out his aggression on the young bourgeois French girl, Jeanne (Maria Schneider), and the physical menace of sexuality that is emotionally charged is such a departure from everything that audiences had come to expect at the movies that the film created a sensation. It’s a bold and imaginative work – a great work. When Brando improvises within Bertolucci’s structure, his full art is realized; his performance is intuitive, rapt, princely. Working with Brando, Bertolucci achieves realism with the terror of actual experience still alive on the screen.
– Pauline Kael, 5001 Nights At The Movies

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