OTTAWA’S CINEMA FOR INTERNATIONAL AND INDEPENDENT MOVIES

COVID-19 Update

Based on the latest recommendations re: Novel Coronavirus/COVID-19 from the⁣⁣ Chief Medical Officer of Ottawa Public Health, the ByTowne is closed. ⁣⁣
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If you have tickets to any of our upcoming events, we will be offering refunds or exchanges. More info as soon as we work out some details.

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We're not going anywhere, so we encourage you to spend some of your movie budget on supporting local charities, like food banks and shelters. (Though, we are selling still vouchers by mail/e-transfer; please see our 'Gift Voucher' section on our 'About Us' page.)

Thank you all for your support and we hope to see you very soon!

(Updated April 20)

 

 

Afterimage

(Powidoki)

Official Academy Award Selection from Poland for Best Foreign Language Film

Andrzej Wajda’s Afterimage is the last masterpiece in a career marked by many illustrious films. The work of the 90-year-old director, who passed away in late 2016, lost none of its force of outrage over the years, but this film carries extra resonance in light of the contemporary situation in Poland, even though the film is set in the dark days of Soviet communist rule. Based on the life of the avant-garde artist Władysław Strzemiński, it blazes with energy, passion, and controlled fury as it follows the life of a man who refuses to bend to official ideology, even when it threatens his very existence.

Poster for the Polish drama AfterimageStrzemiński was a compelling and charismatic artist and teacher. Wajda picks up his story in postwar Łódź, where he teaches at the Higher School of Plastic Arts. His ideas, set out in a revolutionary book he has written about art, run headlong into Stalin’s dictates on what is good for the masses: social realism and superficial positivism. This is the dynamic that feeds Afterimage’s utterly compelling narrative about a highly principled individual who confronts the indifference and, soon enough, anger of the authorities determined to stamp out anyone who questions the party line. A double amputee, Strzemiński is a restless force of nature idolized by the younger generation and the students he teaches.

Bogusław Linda brilliantly bulls his way through his role as the beleaguered artist who refuses to compromise, and he dominates the film, but Wajda gives him superb foils: his long-suffering young daughter whose life is equally affected by her father’s decisions and an attractive young student whose emotions move from admiration to desire.

This is a firecracker of a film – angry, committed, and deeply connected to the painful decisions that its brave subject is forced to make in order to retain his integrity.

– Piers Handling, Toronto International Film Festival
 

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