OTTAWA’S CINEMA FOR INTERNATIONAL AND INDEPENDENT MOVIES

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The ByTowne is now closed.

It's possible that, after the pandemic has been brought under control,
new management will take over the space and offer big-screen wonderfulness again.

The building is being maintained, with all its facilities and equipment intact,
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I Saw The Light

Hank Williams wrote and recorded some of country music’s most enduring songs before his untimely death at age twenty-nine. These songs were fuelled by a blend of turmoil and heartbreak – not surprising considering the Alabama-born balladeer’s private life, which director Marc Abraham brings to the screen with a clear-eyed appreciation of the man’s complexity. Taking stock of the central moments in Williams’s too-short career, which began when he was barely a teenager, I Saw The Light focuses, as it should, on the flaws of an artist who was endearing to his audience and enraging to his wives and lovers.

Poster art for I Saw The LightAt the core of this film is Tom Hiddleston’s magnificent performance as Hank. Not only does the English actor capture the singer’s charm and caprice, he also sings all the songs.

When Hank marries Audrey Mae Sheppard (Elizabeth Olsen) at a gas station in 1944, success is only a few years away, but Audrey proves a challenge as she replaces Hank’s mother as the prime influence in his career. Though ambitious, Audrey is a woman of limited talent, and Williams is caught between listening to friends who tell him to remove her from his act and a wife who will listen to no one.

With fame, Williams grows increasingly erratic in his behaviour as alcoholism and drug abuse begin to take their toll. And yet the story really gets rolling when, at one of his concerts, Hank spies the young Billie Jean (Maddie Hasson), an aspiring singer who will eventually become his widow.

I Saw The Light is a celebration of musical genius, but also a poignant illustration of a restless soul who left a trail of heartache and fractured relationships. Hiddleston’s revelatory work is bolstered by a brilliant cast, in particular Olsen and Hasson, who embody the pain of women who, in their own ways, were as complicated and damaged as the man they loved.

– Piers Handing, Toronto International Film Festival

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