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The ByTowne is now closed.

It's possible that, after the pandemic has been brought under control,
new management will take over the space and offer big-screen wonderfulness again.

The building is being maintained, with all its facilities and equipment intact,
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Oscar nominee for Best Foreign Language Film of 2013

Poster art for OmarOmar marks the return of Palestinian director Hany Abu-Assad, whose Paradise Now was nominated for an Academy Award for Best Foreign Language Film of 2005 – a first for a Palestinian entry. His latest, Omar, is a noir psychological thriller set in the occupied West Bank, and a meditation on trust, friendship, loyalty, and the way individuals can become driven, consciously or not, to harm those close to their heart.

Ever since the concrete Separation Wall divided their West Bank town, lifelong friends Omar (Adam Bakri), Amjad (Samer Bisharat) and Tarek (Eyad Hourani) must surreptitiously climb over the wall – risking their lives – just to hang out. Omar has an additional motive for dodging the punishing watch of the Israeli military and their bullets: he is in love with Nadia (Leem Lubany), Tarek’s younger sister. Handsome and slick, he is saving his humble earnings as a baker until he is able to ask for her hand in marriage.

When Rami (Waleed Zuaiter), an Israeli military intelligence officer investigating the killing of an officer posted at a checkpoint, becomes aware of Omar’s love for Nadia (a secret kept from her brother), he draws Omar into the hell of conflicted loyalties.

Masterfully paced, Omar boasts compelling performances from its young cast – particularly Bakri in his stunning screen debut. As the Israeli agent Rami, Palestinian-American actor Zuaiter (also a co-producer on the film) delivers a chillingly exact performance. Love, betrayal, murder, and an adrenaline-rush ending: Omar is set to become an Arab noir classic.

– Rasha Salti, Toronto International Film Festival

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